Description
This piece belongs to the core series—where form, material, and history converge in their most concentrated state.

The object appears almost geological, with a dark, porous surface that evokes volcanic matter or compressed earth. Its irregular, expanding form resists symmetry, as if it has grown outward rather than being shaped. The texture carries traces of pressure, heat, and transformation—suggesting a process that is both natural and imposed.

At its center, a circular formation emerges, marked by embedded gold elements arranged in a subtle, almost symbolic pattern. This central presence reads as both nucleus and imprint—something formed within, yet also inscribed from outside. It suggests a point of origin, but one that has been altered, disrupted, and redefined.

The work refers to the Post-Colonial Gold (PCGPUD) series, where gold is no longer treated as ornament or value, but as a material entangled with extraction, control, and displacement. Here, it appears fragmented and embedded—no longer dominant, but absorbed into a larger, darker body.

A work that holds a primordial tension—between formation and destruction, origin and transformation. Dense, raw, and monumental in presence.