This piece is part of a series of unique, handcrafted works, each shaped through an intuitive process and carrying its own distinct character.

The form has an irregular oval shape, with a surface that appears raw and time-worn. It evokes the presence of a found fragment—as if it has emerged from another era. Traces of the making process remain visible, giving the object a direct and physical presence.

At its center, a fragment of blue-and-white porcelain is embedded, partially enclosed by the gold. It does not feel added, but rather discovered—an element that carries its own history and introduces a subtle tension within the form.

The work refers to the Post-Colonial Gold (PCGPUD) series, in which gold is approached from its origin, detached from its later associations with possession and accumulation.

A quiet, concentrated object that invites curiosity about origin and the past.