Description
This object belongs to a series in which each work develops individually, guided by intuition and material.
The form is fluid and asymmetrical, with a clear transition between a light, matte underside and a darker, speckled upper layer. The two surfaces do not fully merge, but rather seem to shift against one another—as if the object exists in a state of movement.
Between these two zones runs an irregular line of gold, like a fracture or division that simultaneously connects both worlds. Here, gold does not function as decoration, but as a marker of tension—a point where material, time, and history intersect.
The work refers to the Post-Colonial Gold (PCGPUD) series, in which gold is approached as a boundary, a transition, and a carrier of conflicting meanings. In this form, it becomes a visible line between what is separated and what remains inherently connected.
An object that suggests movement—between above and below, light and dark, past and present.
USE & CARE