Description
This object belongs to a series in which each work develops individually, guided by intuition and material.
The form is open and sculptural, with a strong contrast between the light, almost bone-like upper element and the rough, dark and silver-toned structure beneath. The surface carries visible traces of transformation—layered, eroded, and built up over time.
At the top, a pale fragment emerges, resembling a found remnant—partly preserved, partly worn. It appears not as an addition, but as something that has remained, held within the material. The contrast between the organic, aged surface and the colder metallic body creates a tension between past and present, between what endures and what changes.
The work refers to the Post-Colonial Gold (PCGPUD) series, in which materials are approached from their origin, detached from later associations of ownership and value. Here, that history appears fragmented, exposed, and recontextualized.
An object that brings together different material histories—open, direct, and layered with time.
Meta description
Unique handcrafted object combining raw metallic surface with pale fragment. Part of the Post-Colonial Gold (PCGPUD) series.