FinTech Art — Rituals of Value

Cash Objects & Crypto Realities

FinTech Art explores how we store and protect value — both literal and symbolic.
Each object functions as a ritual: a place where money, emotion, and belief collide.
Sometimes it’s a dog, sometimes a teapot, sometimes kitsch that’s too sweet to ignore.
I fill them with cash, a ledger, or a seed phrase — and then seal them shut.

It’s humor, critique, and poetry all at once.
A commentary on banks that profit from your money,
on technology that fails when the power goes out,
and on the fragile dance between trust and control.

FinTech Art isn’t about investment.
It’s about memory, autonomy, and the absurd beauty of value itself.

Research Trajectory — Between Value and Form

My practice moves between two frontlines: the economy of belief and the aesthetics of resistance.
In FinTech Art, I explore how systems define value — through money, code, and trust.
In Aesthetic Obstruction, I turn that lens inward, asking what happens when form itself becomes a system — one that manipulates, protects, or deceives.

Both collections are part of an ongoing investigation into how art can expose the quiet mechanisms that shape our sense of security, beauty, and worth.
Each object is a test — of visibility, ownership, and faith, and of the thin line between function and illusion.

Artist’s Reflection

For me, this research is not about answers but about endurance —
about how meaning survives when systems fail.

— Annelies Nuy, 2025

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