Description
This object belongs to a series in which each work develops individually, guided by intuition and material.
The form is open and sculptural, with a surface that appears layered, worn, and marked by time. Dark and light materials intersect, creating a sense of erosion and accumulation—as if the object has been shaped not only by hand, but by excavation.
At the top, a pale fragment emerges, reminiscent of an unearthed relic. It appears partially preserved, partially worn, carrying the trace of something that once existed in full. The element is not presented as decoration, but as a remnant—revealed through the act of uncovering.
The work refers to the Post-Colonial Gold (PCGPUD) series, where material is approached as a carrier of displaced histories. Here, the gesture of digging, uncovering, and re-reading becomes central—suggesting that what is found is never neutral, but shaped by time, loss, and reinterpretation.
An object that holds the tension between what is buried and what is brought back into view—open, tactile, and layered with history.
USE & CARE