{"title":"Post-Colonial Gold — A Living Lexicon","description":"\u003cp data-start=\"242\" data-end=\"356\"\u003eextends the collection beyond the archive into a field of active values.\u003c\/p\u003e\n\u003cp data-start=\"358\" data-end=\"718\"\u003eWhere \u003cstrong data-start=\"364\" data-end=\"385\"\u003eA Counter-Archive\u003c\/strong\u003e challenges the reduction of value to matter, ownership, and historical power, \u003cstrong data-start=\"464\" data-end=\"484\"\u003eA Living Lexicon\u003c\/strong\u003e asks what forms of value can be recovered, carried, and practiced now. Each work translates the visual, material, and conceptual language of a female artist into a value that can be encountered, understood, and taken into daily life.\u003c\/p\u003e\n\u003cp data-start=\"720\" data-end=\"1019\"\u003eThe collection does not treat artists as references or illustrations. They function as epistemological anchors: sources of knowledge through which alternative systems of value become visible. Their practices speak through body, earth, material, memory, care, rupture, ritual, resistance, and repair.\u003c\/p\u003e\n\u003cp data-start=\"1021\" data-end=\"1321\"\u003eIn this lexicon, value is not fixed. It is lived. It appears in what is touched, protected, restored, transmitted, or transformed. A material may carry knowledge. A scar may carry meaning. A gesture may carry resistance. A fragile surface may hold a history that official archives failed to preserve.\u003c\/p\u003e\n\u003cp data-start=\"1323\" data-end=\"1639\"\u003eEach ring becomes a wearable interface: a small sculptural object that opens a dialogue between artwork, value, body, and public space. Presented both in the metaverse and as wearable sculpture, the collection moves between digital access and physical presence. It makes art knowledge public, intimate, and portable.\u003c\/p\u003e\n\u003cp data-start=\"1641\" data-end=\"1866\"\u003e\u003cstrong data-start=\"1641\" data-end=\"1682\"\u003ePost-Colonial Gold — A Living Lexicon\u003c\/strong\u003e proposes value not as possession, but as contribution. Not as extraction, but as relation. Not as luxury, but as a shared language for rethinking how we carry history into the future.\u003c\/p\u003e","products":[{"product_id":"ws-119","title":"PCG-004 |The dialogue with Zhanna Kadyrova — Ukraine — Presence.","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-15\" data-turn-id=\"cde03940-b4e5-4efb-9919-b579957df494\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-WEB:28b1d1a1-2424-48ae-8a71-ebabcc6db746-23\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"82caecbe-a318-4a95-9c28-6bd90ff18295\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-39\" data-turn-id=\"756bcbb0-bbce-4acc-b8b5-c6241bf3a1be\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-40\" data-turn-id=\"request-WEB:28b1d1a1-2424-48ae-8a71-ebabcc6db746-35\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"145092df-7b71-459b-b068-5f267ad4a7f4\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003ch3 data-end=\"156\" data-start=\"113\" data-section-id=\"1qzhnj1\"\u003eWearable sculpture \/ Post-Colonial Gold\u003c\/h3\u003e\n\u003cp data-end=\"4641\" data-start=\"4625\" data-section-id=\"1grgnsd\"\u003eShort version....\u003c\/p\u003e\n\u003cp data-end=\"4689\" data-start=\"4643\"\u003e\u003cstrong data-end=\"4689\" data-start=\"4643\"\u003ePresence — the active refusal to disappear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4885\" data-start=\"4691\"\u003eThis ring is a large, dark and damaged fragment with small traces of gold. It is not jewellery, but a wearable sculpture: an object that makes rupture, pressure and survival visible on the body.\u003c\/p\u003e\n\u003cp data-end=\"5173\" data-start=\"4887\"\u003eIn dialogue with \u003cstrong data-end=\"4923\" data-start=\"4904\"\u003eZhanna Kadyrova\u003c\/strong\u003e, the ring is connected to material that carries history — stone, tiles, concrete, architecture, city, war and everyday life. Just as Kadyrova allows fragments to speak without smoothing over their rupture, this ring remains rough, heavy and present.\u003c\/p\u003e\n\u003cp data-end=\"5373\" data-start=\"5175\"\u003eWithin \u003cstrong data-end=\"5204\" data-start=\"5182\"\u003ePost-Colonial Gold\u003c\/strong\u003e, gold stands for a new value. Not for luxury, decoration or possession, but for what becomes visible when something continues to exist despite pressure, loss or damage.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"5439\" data-start=\"5375\"\u003eThat new value is \u003cstrong data-end=\"5405\" data-start=\"5393\"\u003ePresence\u003c\/strong\u003e: the active refusal to disappear. \u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"5439\" data-start=\"5375\"\u003eread more...\u003c\/p\u003e\n\u003cp data-end=\"395\" data-start=\"158\"\u003eThis ring is large, dark and irregular. It does not seem made to please. Its surface is rough, crusted and damaged, as if the object has passed through pressure, heat or collapse. Small traces of gold remain visible within the dark mass.\u003c\/p\u003e\n\u003cp data-end=\"484\" data-start=\"397\"\u003eThese golden traces do not make the object more beautiful. They point to another value.\u003c\/p\u003e\n\u003cp data-end=\"715\" data-start=\"486\"\u003eWithin \u003cstrong data-end=\"515\" data-start=\"493\"\u003ePost-Colonial Gold\u003c\/strong\u003e, gold does not stand for luxury, decoration or possession. Gold stands for a \u003cstrong data-end=\"606\" data-start=\"593\"\u003enew value\u003c\/strong\u003e: not shine, perfection or economic status, but what continues to exist despite pressure, rupture and damage.\u003c\/p\u003e\n\u003ch2 data-end=\"730\" data-start=\"717\" data-section-id=\"1l3ffah\"\u003eThe object\u003c\/h2\u003e\n\u003cp data-end=\"880\" data-start=\"732\"\u003eThe ring is not jewellery in the classical sense. It is a wearable sculpture: a fragment placed on the body and therefore carried into public space.\u003c\/p\u003e\n\u003cp data-end=\"1086\" data-start=\"882\"\u003eWhat could normally be seen as residue, debris or damaged material receives a different position here. Not because it is polished or embellished, but because it is carried as something that holds meaning.\u003c\/p\u003e\n\u003cp data-end=\"1185\" data-start=\"1088\"\u003eThe ring does not ask to be admired for beauty. It asks for attention because it remains present.\u003c\/p\u003e\n\u003ch2 data-end=\"1198\" data-start=\"1187\" data-section-id=\"1ix3rke\"\u003eMaterial\u003c\/h2\u003e\n\u003cp data-end=\"1342\" data-start=\"1200\"\u003eThe material appears dark, petrified, burnt or compressed. The surface carries traces of tension. The ring does not seem new, but left behind.\u003c\/p\u003e\n\u003cp data-end=\"1481\" data-start=\"1344\"\u003eThat is precisely where its strength lies. The object does not pretend to be intact. It shows its rupture, its weight and its resistance.\u003c\/p\u003e\n\u003cp data-end=\"1595\" data-start=\"1483\"\u003eThe golden traces do not mark what is “beautiful”, but what carries value: survival, presence, residue, history.\u003c\/p\u003e\n\u003ch2 data-end=\"1609\" data-start=\"1597\" data-section-id=\"1asnk9j\"\u003eThe value\u003c\/h2\u003e\n\u003ch3 data-end=\"1657\" data-start=\"1611\" data-section-id=\"1w859zq\"\u003ePresence — the active refusal to disappear\u003c\/h3\u003e\n\u003cp data-end=\"1768\" data-start=\"1659\"\u003e\u003cstrong data-end=\"1671\" data-start=\"1659\"\u003ePresence\u003c\/strong\u003e does not simply mean being present. It means remaining present when something is under pressure.\u003c\/p\u003e\n\u003cp data-end=\"1912\" data-start=\"1770\"\u003eIt is the value of a body, material, culture or memory that does not disappear, even when violence, loss, erasure or instability acts upon it.\u003c\/p\u003e\n\u003cp data-end=\"2099\" data-start=\"1914\"\u003eIn this ring, \u003cstrong data-end=\"1940\" data-start=\"1928\"\u003ePresence\u003c\/strong\u003e becomes visible as endurance. The ring remains visible without pretending to be whole. It carries damage not as weakness, but as proof of continued existence.\u003c\/p\u003e\n\u003ch2 data-end=\"2136\" data-start=\"2101\" data-section-id=\"1qqy88n\"\u003eIn dialogue with Zhanna Kadyrova\u003c\/h2\u003e\n\u003cp data-end=\"2218\" data-start=\"2138\"\u003eThe dialogue with \u003cstrong data-end=\"2175\" data-start=\"2156\"\u003eZhanna Kadyrova\u003c\/strong\u003e begins with material that carries history.\u003c\/p\u003e\n\u003cp data-end=\"2531\" data-start=\"2220\"\u003eKadyrova works with stone, tiles, concrete, asphalt, glass, architectural remains and found objects. In her work, material is never neutral. A tile is not only a tile. A stone is not only stone. A fragment is not only waste. Material carries traces of city, labour, ideology, war, destruction and everyday life.\u003c\/p\u003e\n\u003cp data-end=\"2574\" data-start=\"2533\"\u003eThis is where her work touches this ring.\u003c\/p\u003e\n\u003cp data-end=\"2847\" data-start=\"2576\"\u003eKadyrova shows that damaged or everyday material can acquire a political and cultural presence. She does not make fragments smoother or more beautiful, but allows them to keep their tension. In her work, material is allowed to speak from its own rupture, use and history.\u003c\/p\u003e\n\u003cp data-end=\"3058\" data-start=\"2849\"\u003eThis ring does something similar on the scale of the body. The object remains rough, heavy and partly closed. But because it is worn, it becomes active: a fragment that moves, is seen and opens a conversation.\u003c\/p\u003e\n\u003cp data-end=\"3250\" data-start=\"3060\"\u003eThe dialogue with Kadyrova helps bring the value of \u003cstrong data-end=\"3124\" data-start=\"3112\"\u003ePresence\u003c\/strong\u003e out of the object. Not presence as visibility for the sake of being seen, but presence as the refusal to disappear from view.\u003c\/p\u003e\n\u003ch2 data-end=\"3277\" data-start=\"3252\" data-section-id=\"ehdc5g\"\u003eResonance with Ukraine\u003c\/h2\u003e\n\u003cp data-end=\"3460\" data-start=\"3279\"\u003eIn relation to Ukraine, \u003cstrong data-end=\"3315\" data-start=\"3303\"\u003ePresence\u003c\/strong\u003e carries an additional weight. When cities, homes, landscapes, bodies and cultural memories are under pressure, remaining present becomes an act.\u003c\/p\u003e\n\u003cp data-end=\"3745\" data-start=\"3462\"\u003eKadyrova’s work shows how art can emerge from material that is not separate from war, loss and reconstruction. Her practice makes visible that culture does not exist only in major monuments or museums, but also in fragments, remains, traces of use and objects that continue to speak.\u003c\/p\u003e\n\u003cp data-end=\"3968\" data-start=\"3747\"\u003eThis ring connects to that logic. It is not an illustration of war and not a dramatic symbol. It is the carrier of a value that is urgent now: the capacity to remain visible, rooted and alive when disappearance threatens.\u003c\/p\u003e\n\u003ch2 data-end=\"3998\" data-start=\"3970\" data-section-id=\"1pux7bk\"\u003eWithin Post-Colonial Gold\u003c\/h2\u003e\n\u003cp data-end=\"4137\" data-start=\"4000\"\u003eWithin \u003cstrong data-end=\"4029\" data-start=\"4007\"\u003ePost-Colonial Gold\u003c\/strong\u003e, this ring becomes part of an international mesh network of values, female artists and wearable sculptures.\u003c\/p\u003e\n\u003cp data-end=\"4383\" data-start=\"4139\"\u003eThe ring brings \u003cstrong data-end=\"4195\" data-start=\"4155\"\u003eUkraine — Zhanna Kadyrova — Presence\u003c\/strong\u003e together in one physical object. Through the QR code, it opens a digital layer of knowledge, context and dialogue. But the first encounter is bodily: the ring is large, rough and present.\u003c\/p\u003e\n\u003cp data-end=\"4532\" data-start=\"4385\"\u003eIt makes clear that value does not only lie in possession, shine or perfection. Value can also lie in what is damaged and still continues to exist.\u003c\/p\u003e\n\u003cp data-end=\"4623\" data-start=\"4534\"\u003eHere, gold becomes the marker of a new value: \u003cstrong data-end=\"4592\" data-start=\"4580\"\u003ePresence\u003c\/strong\u003e as the force not to disappear.\u003c\/p\u003e\n\u003cp data-end=\"4623\" data-start=\"4534\"\u003e\u003cmeta charset=\"utf-8\"\u003eAn impression of the work is presented within the\u003ca href=\"https:\/\/anasaea.com\/viewExhibition\/FocCNcLqQ8uqnSTam\"\u003e \u003cstrong data-start=\"50\" data-end=\"61\"\u003eANASAEA\u003c\/strong\u003e\u003c\/a\u003e environment. The QR interface is part of the wearable sculpture and gives access to the digital layer, where more information about the artist can be read in this blog.\u003c\/p\u003e\n\u003cp data-end=\"4623\" data-start=\"4534\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"4623\" data-start=\"4534\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-end=\"4623\" data-start=\"4534\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr data-start=\"6111\" data-end=\"6114\"\u003e\n\u003cp data-start=\"6241\" data-end=\"6615\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61400375787850,"sku":"WS-118","price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/ChatGPT_Image_20_mrt_2026_17_45_34.png?v=1774032512"},{"product_id":"pcg-17","title":"PCG-011 The Weight of Protection In Dialogue with Mona Hatoum","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"0ae558e8-c554-414a-ac6e-2532a1e60f8f\" data-testid=\"conversation-turn-25\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:c50c6efb-5b28-4d07-a8b8-5453b08129b2-148\" data-testid=\"conversation-turn-26\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"1484449d-38e5-41b4-b038-d6fb897f9b54\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"91\"\u003e This wearable sculpture reinterprets the thimble — a symbol of protection and domestic labour — as a structure of control. Through material contrast and altered form, the object disrupts its original function and exposes the tension between care and restriction.\u003c\/p\u003e\n\u003cp data-end=\"1002\" data-start=\"859\"\u003e\u003ca href=\"https:\/\/anneliesnuy.com\/blogs\/news\/mona-hatoum-when-the-familiar-becomes-unsafe\"\u003e\u003cstrong\u003eIn dialogue with Mona Hatoum\u003c\/strong\u003e,\u003c\/a\u003e the work transforms the familiar into something unstable, revealing how protection can shape and limit behaviour.\u003c\/p\u003e\n\u003cp data-end=\"1212\" data-start=\"1004\"\u003eAs part of \u003cem data-end=\"1035\" data-start=\"1015\"\u003ePost-Colonial Gold\u003c\/em\u003e, the sculpture contributes to a network of wearable objects that redefine value, shifting attention from material wealth to human qualities such as empathy, care and intuition.  read more...\u003c\/p\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"101\" data-end=\"115\"\u003eThe Object\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp data-start=\"117\" data-end=\"175\"\u003eThis wearable sculpture is based on the form of a thimble.\u003c\/p\u003e\n\u003cp data-start=\"177\" data-end=\"392\"\u003eThe object retains its recognisable structure: a protective cap worn on the finger. At the same time, it is altered. The proportions are shifted, the surface is irregular, and the form appears heavier than expected.\u003c\/p\u003e\n\u003cp data-start=\"394\" data-end=\"579\"\u003eThe exterior is dark and worn, marked by use or transformation. A band of gold interrupts this surface, separating the body from the tip. The top is enclosed, perforated, and decorated.\u003c\/p\u003e\n\u003cp data-start=\"581\" data-end=\"675\"\u003eThe object is both functional and obstructive.\u003cbr data-start=\"627\" data-end=\"630\"\u003eIt suggests protection, but also restriction.\u003c\/p\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"685\" data-end=\"697\"\u003eMaterial\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp data-start=\"699\" data-end=\"733\"\u003eThe materials operate in contrast.\u003c\/p\u003e\n\u003cp data-start=\"735\" data-end=\"846\"\u003eThe dark surface absorbs light and shows traces of handling, pressure and time. It is not polished or resolved.\u003c\/p\u003e\n\u003cp data-start=\"848\" data-end=\"997\"\u003eThe gold band introduces a different value system. It does not function as decoration in a traditional sense, but marks a division within the object.\u003c\/p\u003e\n\u003cp data-start=\"999\" data-end=\"1117\"\u003eThe decorated tip refers to ornament and craft, yet its perforated surface suggests resistance rather than refinement.\u003c\/p\u003e\n\u003cp data-start=\"1119\" data-end=\"1176\"\u003eMaterial does not unify the object.\u003cbr data-start=\"1154\" data-end=\"1157\"\u003eIt creates tension.\u003c\/p\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1186\" data-end=\"1199\"\u003eCore Idea\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp data-start=\"1201\" data-end=\"1259\"\u003eThis object examines protection as a controlled condition.\u003c\/p\u003e\n\u003cp data-start=\"1261\" data-end=\"1381\"\u003eA thimble is designed to shield the body while enabling work. It allows the hand to continue functioning under pressure.\u003c\/p\u003e\n\u003cp data-start=\"1383\" data-end=\"1426\"\u003eIn this form, that logic becomes ambiguous.\u003c\/p\u003e\n\u003cp data-start=\"1428\" data-end=\"1599\"\u003eProtection is no longer neutral. It becomes visible, weighted, and potentially limiting. The object raises the question whether protection enables action, or regulates it.\u003c\/p\u003e\n\u003chr data-start=\"1601\" data-end=\"1604\"\u003e\n\u003ch2 data-section-id=\"1e4w57m\" data-start=\"1606\" data-end=\"1620\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1609\" data-end=\"1620\"\u003eMeaning\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1622\" data-end=\"1678\"\u003eThe sculpture positions itself between care and control.\u003c\/p\u003e\n\u003cp data-start=\"1680\" data-end=\"1871\"\u003eIt refers to domestic labour and repetitive gestures traditionally associated with the hand. At the same time, it introduces elements that resist ease: weight, closure, and material contrast.\u003c\/p\u003e\n\u003cp data-start=\"1873\" data-end=\"1904\"\u003eThe body is implied but absent.\u003c\/p\u003e\n\u003cp data-start=\"1906\" data-end=\"1987\"\u003eWhat remains is an object that suggests use, while withholding full access to it\u003c\/p\u003e\n\u003ca href=\"https:\/\/anneliesnuy.com\/blogs\/news\/mona-hatoum-when-the-familiar-becomes-unsafe\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1997\" data-end=\"2029\"\u003eIn Dialogue with Mona Hatoum\u003c\/strong\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003cp data-start=\"2031\" data-end=\"2132\"\u003eMona Hatoum frequently transforms domestic objects into structures that feel unstable or threatening.\u003c\/p\u003e\n\u003cp data-start=\"2134\" data-end=\"2251\"\u003eHer work shifts the meaning of the familiar. Objects associated with safety, care or routine become sites of tension.\u003c\/p\u003e\n\u003cp data-start=\"2253\" data-end=\"2302\"\u003eThis sculpture operates within the same strategy.\u003c\/p\u003e\n\u003cp data-start=\"2304\" data-end=\"2538\"\u003eThe thimble is immediately recognisable as a tool of protection and domestic labour. However, its altered form and material composition disrupt that function. The object no longer simply protects the finger; it imposes itself onto it.\u003c\/p\u003e\n\u003cp data-start=\"2540\" data-end=\"2646\"\u003eLike Hatoum’s work, it does not represent danger directly.\u003cbr data-start=\"2598\" data-end=\"2601\"\u003eIt introduces it through subtle displacement.\u003c\/p\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2656\" data-end=\"2686\"\u003eResonance with the Present\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp data-start=\"2688\" data-end=\"2776\"\u003eThis object directly relates to current discussions around control, safety and the body.\u003c\/p\u003e\n\u003cp data-start=\"2778\" data-end=\"3039\"\u003eIn contemporary society, protection has become a central concept — in technology, healthcare, data, and social structures. Systems are designed to safeguard, monitor and optimise. At the same time, these systems increasingly define behaviour and limit autonomy.\u003c\/p\u003e\n\u003cp data-start=\"3041\" data-end=\"3082\"\u003eThe thimble reflects this dual condition.\u003c\/p\u003e\n\u003cp data-start=\"3084\" data-end=\"3248\"\u003eIt is a tool of protection, but also a device that regulates movement. It enables action, while shaping how that action is performed. The user adapts to the object.\u003c\/p\u003e\n\u003cp data-start=\"3250\" data-end=\"3295\"\u003eThis dynamic is visible in multiple contexts:\u003c\/p\u003e\n\u003cul data-start=\"3296\" data-end=\"3477\"\u003e\n\u003cli data-section-id=\"vjyswv\" data-start=\"3296\" data-end=\"3357\"\u003edigital environments where safety is tied to surveillance\u003c\/li\u003e\n\u003cli data-section-id=\"16n6h4a\" data-start=\"3358\" data-end=\"3420\"\u003ehealthcare systems where the body is monitored and managed\u003c\/li\u003e\n\u003cli data-section-id=\"1w1rcwb\" data-start=\"3421\" data-end=\"3477\"\u003esocial norms where protection can become restriction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3479\" data-end=\"3570\"\u003eThe object does not illustrate these systems directly.\u003cbr data-start=\"3533\" data-end=\"3536\"\u003eIt operates on the same principle.\u003c\/p\u003e\n\u003cp data-start=\"3572\" data-end=\"3625\"\u003eProtection is not neutral.\u003cbr data-start=\"3598\" data-end=\"3601\"\u003eIt structures behaviour.\u003c\/p\u003e\n\u003cp data-start=\"3627\" data-end=\"3767\"\u003eBy isolating and transforming a familiar object, the sculpture makes this mechanism visible on an intimate scale — at the level of the hand.\u003c\/p\u003e\n\u003cp data-start=\"3769\" data-end=\"3830\"\u003eWhat appears small and domestic reflects a broader condition.\u003c\/p\u003e\n\u003cp data-start=\"3832\" data-end=\"3945\"\u003eControl is no longer imposed from the outside.\u003cbr data-start=\"3878\" data-end=\"3881\"\u003eIt is embedded in the tools we use and the systems we depend on.\u003c\/p\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3955\" data-end=\"3984\"\u003eWithin Post-Colonial Gold\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp data-start=\"3986\" data-end=\"4095\"\u003e\u003cem data-start=\"3986\" data-end=\"4006\"\u003ePost-Colonial Gold\u003c\/em\u003e is a system of wearable sculptures that redefines value in relation to colonial history.\u003c\/p\u003e\n\u003cp data-start=\"4097\" data-end=\"4406\"\u003eFor centuries, value was determined through systems of extraction, hierarchy and control — often reinforced by institutions such as religion and the church. Within these structures, softer human qualities — such as empathy, care and intuition — often associated with women, were pushed into subordinate roles.\u003c\/p\u003e\n\u003cp data-start=\"4408\" data-end=\"4446\"\u003eThis project repositions those values.\u003c\/p\u003e\n\u003cp data-start=\"4448\" data-end=\"4636\"\u003eBy creating a network of female artists who powerfully embody these qualities, each wearable sculpture becomes part of a larger whole. The objects do not stand alone; they form a dialogue.\u003c\/p\u003e\n\u003cp data-start=\"4638\" data-end=\"4673\"\u003eEach work functions as a statement.\u003c\/p\u003e\n\u003cp data-start=\"4675\" data-end=\"4726\"\u003eEach wearable sculpture embodies a human condition.\u003c\/p\u003e\n\u003cp data-start=\"4728\" data-end=\"4760\"\u003eThis work addresses \u003cstrong data-start=\"4748\" data-end=\"4759\"\u003econtrol\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"4762\" data-end=\"4883\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eNot as an external force, but as something embedded within structures that appear protective, necessary and self-evident.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cp data-end=\"1206\" data-start=\"991\"\u003e\u003cstrong data-start=\"1203\" data-end=\"1221\"\u003eSpecifications\u003c\/strong\u003e\u003cbr data-start=\"1221\" data-end=\"1224\"\u003eMaterial: ceramic–concrete composite with gold-tone finish\u003cbr data-start=\"1282\" data-end=\"1285\"\u003eRing sizes: EU 16–19\u003cbr data-start=\"1305\" data-end=\"1308\"\u003eWeight: approx. 18–24 grams \u003cbr data-start=\"1355\" data-end=\"1358\"\u003eFinish: hand-crafted; slight variations occur\u003cbr data-start=\"1403\" data-end=\"1406\"\u003eEach ring is unique.\u003c\/p\u003e\n\u003cp data-end=\"1511\" data-start=\"1208\"\u003e\u003cstrong data-end=\"1225\" data-start=\"1208\"\u003eUse and Care:\u003c\/strong\u003e Avoid prolonged contact with water, perfume and chemical products. Store separately to prevent scratches. Clean gently with a soft, dry cloth. Surface wear may develop over time; this enhances the character of the work. This ring is a sculptural object and should be handled with care.\u003c\/p\u003e\n\u003cp data-end=\"1754\" data-start=\"1513\"\u003e\u003cstrong data-end=\"1526\" data-start=\"1513\"\u003eShipping:\u003c\/strong\u003e Carefully packaged in a protective box. Includes certificate of uniqueness. Insured shipping. Delivery time 3–7 business days if in stock. International shipping available. Tracking information will be provided once dispatched.\u003c\/p\u003e\n\u003cp data-end=\"1905\" data-start=\"1756\"\u003e\u003cstrong data-end=\"1765\" data-start=\"1756\"\u003eTags:\u003c\/strong\u003e #WearableSculpture #PostColonialGold #SculpturalRing #ArtAsObject #GoldReconsidered #RepairAsMeaning #MonumentalMiniature #MaterialAsMemory \u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61518762410314,"sku":"PCG-16","price":5725.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/ChatGPT_Image_4_apr_2026_11_07_40.png?v=1775293741"},{"product_id":"ws-147","title":"PCG-012  profane hold  In Dialogue — Tiona Nekkia McClodden","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-15\" data-turn-id=\"cde03940-b4e5-4efb-9919-b579957df494\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-WEB:28b1d1a1-2424-48ae-8a71-ebabcc6db746-23\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"82caecbe-a318-4a95-9c28-6bd90ff18295\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003csection data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-39\" data-turn-id=\"756bcbb0-bbce-4acc-b8b5-c6241bf3a1be\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\"\u003e\u003c\/section\u003e\n\u003csection data-turn=\"assistant\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-40\" data-turn-id=\"request-WEB:28b1d1a1-2424-48ae-8a71-ebabcc6db746-35\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-3\" dir=\"auto\" data-message-id=\"145092df-7b71-459b-b068-5f267ad4a7f4\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-end=\"403\" data-start=\"64\"\u003eThis wearable sculpture starts from a found shoe polish tin. The object refers to maintenance, shine, repetition and control over the surface. It may come from a military context, but the core of the work is not the military narrative. The core lies in the action itself: polishing, rubbing, correcting, making a surface conform to a norm.\u003c\/p\u003e\n\u003cp data-end=\"798\" data-start=\"405\"\u003eThe dialogue with \u003cstrong data-end=\"449\" data-start=\"423\"\u003eTiona Nekkia McClodden\u003c\/strong\u003e emerges because in \u003cstrong data-end=\"482\" data-start=\"469\"\u003ePURE GAZE\u003c\/strong\u003e she also works with leather, binding, pressure and \u003cstrong data-end=\"556\" data-start=\"534\"\u003eSaphir shoe polish\u003c\/strong\u003e. In her work, shoe polish is no longer a functional material, but a carrier of touch, labour, tension and skin. This object carries a similar charge: it is a small utilitarian object, but it preserves traces of control, shine and repetition.\u003c\/p\u003e\n\u003cp data-end=\"1104\" data-start=\"800\"\u003eWithin \u003cstrong data-end=\"829\" data-start=\"807\"\u003ePost-Colonial Gold\u003c\/strong\u003e, the tin is not embellished, but repositioned. Gold brings the object into a new system of value and raises the question of why some materials are considered precious while others are seen as banal. The found object does not become a luxury object, but a carrier of meaning.\u003c\/p\u003e\n\u003ch2 data-end=\"1119\" data-start=\"1106\" data-section-id=\"1l3ffah\"\u003eThe object\u003c\/h2\u003e\n\u003cp data-end=\"1336\" data-start=\"1121\"\u003eThe shoe polish tin is presented as a found object, with visible residue and traces of use. These traces are essential: they show that the object is not empty, but already carries a history of action and repetition.\u003c\/p\u003e\n\u003cp data-end=\"1575\" data-start=\"1338\"\u003eBy placing the tin on the body, it shifts from utilitarian object to sculptural figure. It no longer has to make another surface shine. It becomes the object through which the act of polishing, correcting and controlling becomes visible.\u003c\/p\u003e\n\u003ch2 data-end=\"1588\" data-start=\"1577\" data-section-id=\"1ix3rke\"\u003eMaterial\u003c\/h2\u003e\n\u003cp data-end=\"1803\" data-start=\"1590\"\u003eThe connection with McClodden lies in the material language: shoe polish, skin, surface, pressure and treatment. In \u003cstrong data-end=\"1719\" data-start=\"1706\"\u003ePURE GAZE\u003c\/strong\u003e, she uses shoe polish on leather to make tension, shine and bodily labour tangible.\u003c\/p\u003e\n\u003cp data-end=\"1936\" data-start=\"1805\"\u003eIn this wearable sculpture, the tin itself becomes both material and archive. It carries the residue of the action it once enabled.\u003c\/p\u003e\n\u003cp data-end=\"2090\" data-start=\"1938\"\u003eGold does not stand for decoration here, but for revaluation. It brings an everyday object into relation with value, extraction, possession and history.\u003c\/p\u003e\n\u003ch2 data-end=\"2104\" data-start=\"2092\" data-section-id=\"n6g93r\"\u003eCore idea\u003c\/h2\u003e\n\u003cp data-end=\"2160\" data-start=\"2106\"\u003eThe core of the work is the shift from use to tension.\u003c\/p\u003e\n\u003cp data-end=\"2422\" data-start=\"2162\"\u003eA shoe polish tin is made to correct a surface: to remove dullness, produce shine and control traces. In this work, that very action is made visible. The tin no longer has to improve anything; it reveals the logic of polishing itself: control over the surface.\u003c\/p\u003e\n\u003cp data-end=\"2653\" data-start=\"2424\"\u003eThis is where it connects to McClodden. In \u003cstrong data-end=\"2480\" data-start=\"2467\"\u003ePURE GAZE\u003c\/strong\u003e, she does not use shoe polish to neatly finish something, but to place material under pressure. Shine, in her work, is not beauty, but a trace of touch, labour and control.\u003c\/p\u003e\n\u003cp data-end=\"2880\" data-start=\"2655\"\u003eThis object does this on another scale. It begins with the instrument of that action: the tin. By being worn, it does not become an illustration of discipline, but a closed form in which use, pressure and value come together.\u003c\/p\u003e\n\u003ch2 data-end=\"2921\" data-start=\"2882\" data-section-id=\"98n4xh\"\u003eIn dialogue — Tiona Nekkia McClodden\u003c\/h2\u003e\n\u003cp data-end=\"3163\" data-start=\"2923\"\u003eIn \u003cstrong data-end=\"2939\" data-start=\"2926\"\u003ePURE GAZE\u003c\/strong\u003e, McClodden speaks of a \u003cstrong data-end=\"2981\" data-start=\"2963\"\u003e“profane hold”\u003c\/strong\u003e: a pressure that exceeds ordinary human interaction. Her works are not shown as bodies, but as abstract figures. They refer to the body without allowing themselves to be fully read.\u003c\/p\u003e\n\u003cp data-end=\"3427\" data-start=\"3165\"\u003eThis shoe polish tin does something comparable on the level of the object. It is recognisable, but not fully explainable. It refers to shine, labour and control, but it does not become a simple illustration of them. It remains closed, charged and partly elusive.\u003c\/p\u003e\n\u003ch2 data-end=\"3458\" data-start=\"3429\" data-section-id=\"dzlll\"\u003eResonance with the present\u003c\/h2\u003e\n\u003cp data-end=\"3674\" data-start=\"3460\"\u003eWe live in a time in which visibility is often seen as freedom. McClodden shows that visibility can also become pressure: the pressure to show oneself, to explain oneself and to be available to the gaze of another.\u003c\/p\u003e\n\u003cp data-end=\"3844\" data-start=\"3676\"\u003eThis wearable sculpture brings that question back to an everyday object. The tin becomes visible, but not emptied out. It receives attention without losing its tension.\u003c\/p\u003e\n\u003cp data-end=\"4015\" data-start=\"3846\"\u003eWithin \u003cstrong data-end=\"3875\" data-start=\"3853\"\u003ePost-Colonial Gold\u003c\/strong\u003e, this is a process of revaluation: value is not determined only by shine or possession, but also by use, residue, labour, skin and history.\u003c\/p\u003e\n\u003ch2 data-end=\"4025\" data-start=\"4017\" data-section-id=\"xjyeby\"\u003eValue\u003c\/h2\u003e\n\u003cp data-end=\"4072\" data-start=\"4027\"\u003e\u003cstrong data-end=\"4072\" data-start=\"4027\"\u003eElusiveness — dignity through elusiveness\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"4317\" data-start=\"4074\"\u003eIn dialogue with Tiona Nekkia McClodden, this work makes visible that something can be seen without becoming fully available. The object shows traces of use, control and labour on the surface, but it resists being reduced to one clear meaning.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"4581\" data-start=\"4319\"\u003eThe value lies in retaining its own tension. The work may be looked at, worn and approached, but it does not have to be fully explained or consumed. This is the connection with McClodden: dignity emerges where visibility does not automatically become possession.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61518896169290,"sku":"PCG-17","price":5200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/WhatsAppImage2026-04-01at7.00.37AM_3.jpg?v=1775358967"},{"product_id":"dignity-held-matter-in-dialogue-with-simone-leigh-copy","title":"PCG-013 Constructed Desire in dialog - Sara Lucas","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"77\" data-end=\"290\"\u003e#This ring is based on the form of a classic engagement ring, with a large pink diamond set in a precious setting. The model is immediately recognisable and strongly associated with ideas of love, status and value.\u003c\/p\u003e\n\u003cp data-start=\"292\" data-end=\"518\"\u003eIn this work, that form is deliberately disrupted. The stone is not clear or perfectly cut, but irregular and materially present. The setting does not support the stone in an elegant way, but seems to hold it with some effort.\u003c\/p\u003e\n\u003cp data-start=\"520\" data-end=\"722\"\u003eAs a result, the meaning of the object shifts. What would normally express certainty and value feels less convincing here. The ring remains recognisable as a symbol, but no longer functions as expected.\u003c\/p\u003e\n\u003cp data-start=\"724\" data-end=\"965\"\u003eBy referencing the engagement ring, the work makes visible that the value of such an object is not self-evident, but depends on cultural conventions and repetition. By slightly destabilising this form, the underlying system becomes apparent.\u003c\/p\u003e\n\u003cp data-start=\"967\" data-end=\"1112\"\u003eThe humour is not in a joke, but in that shift. You immediately recognise what it is, and at the same time realise that it no longer quite works.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"5399\" data-end=\"5402\"\u003e\n\u003cp data-start=\"991\" data-end=\"1206\"\u003e\u003cstrong data-end=\"1221\" data-start=\"1203\"\u003eSpecifications\u003c\/strong\u003e\u003cbr data-end=\"1224\" data-start=\"1221\"\u003eMaterial: ceramic–concrete composite with gold-tone finish\u003cbr data-end=\"1285\" data-start=\"1282\"\u003eRing sizes: EU 16–19\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eWeight: approx. 18–24 grams \u003cbr data-end=\"1358\" data-start=\"1355\"\u003eFinish: hand-crafted; slight variations occur\u003cbr data-end=\"1406\" data-start=\"1403\"\u003eEach ring is unique.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1511\"\u003e\u003cstrong data-start=\"1208\" data-end=\"1225\"\u003eUse and Care:\u003c\/strong\u003e Avoid prolonged contact with water, perfume and chemical products. Store separately to prevent scratches. Clean gently with a soft, dry cloth. Surface wear may develop over time; this enhances the character of the work. This ring is a sculptural object and should be handled with care.\u003c\/p\u003e\n\u003cp data-start=\"1513\" data-end=\"1754\"\u003e\u003cstrong data-start=\"1513\" data-end=\"1526\"\u003eShipping:\u003c\/strong\u003e Carefully packaged in a protective box. Includes certificate of uniqueness. Insured shipping. Delivery time 3–7 business days if in stock. International shipping available. Tracking information will be provided once dispatched.\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cstrong data-start=\"1756\" data-end=\"1765\"\u003eTags:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e#PostColonialGold #WearableSculpture #ContemporaryArt #ArtAndValue #ConstructedDesire #JewelryAsConcept #CriticalDesign #Artivism #FeministArt #MaterialCulture #saralucas\u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61534509072714,"sku":"PCG-18","price":1900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/WhatsAppImage2026-04-06at7.41.22AM_2_b600fb46-dd64-4cfc-ae8a-1c5077778868.jpg?v=1775623577"},{"product_id":"pcg-015","title":"PCG-015 Reconfigured Memory","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003ch1 data-section-id=\"l5rmui\" data-start=\"127\" data-end=\"143\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"129\" data-end=\"143\"\u003eTHE OBJECT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"145\" data-end=\"372\"\u003eThis object is formed from a found ceramic fragment distributed across other objects and integrated into a new structure. The original object no longer exists as a whole, but remains visible in the surface and form of the ring.\u003c\/p\u003e\n\u003cp data-start=\"374\" data-end=\"575\"\u003eRather than presenting the fragment as incomplete, the work establishes a new unity. The object does not return to its origin, but continues in another configuration, in which the past remains present.\u003c\/p\u003e\n\u003chr data-start=\"577\" data-end=\"580\"\u003e\n\u003ch1 data-section-id=\"1ykrvvd\" data-start=\"582\" data-end=\"608\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"584\" data-end=\"608\"\u003eMATERIAL AND CONTEXT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"610\" data-end=\"839\"\u003eThe ceramic refers to objects that have been displaced through time and context, often becoming detached from their original function. Through use, circulation, and reinterpretation, such materials acquire new meanings over time.\u003c\/p\u003e\n\u003cp data-start=\"841\" data-end=\"1075\"\u003eWhat may initially appear decorative or familiar often carries multiple layers of use and significance. Within this ring, the material is not isolated as a fragment, but incorporated into a new form in which past and present converge.\u003c\/p\u003e\n\u003chr data-start=\"1077\" data-end=\"1080\"\u003e\n\u003ch1 data-section-id=\"h5bihu\" data-start=\"1082\" data-end=\"1108\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1084\" data-end=\"1108\"\u003eCONCEPTUAL FRAMEWORK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1110\" data-end=\"1263\"\u003eHistorically, value has often been linked to material, origin, and preservation. This work shifts that perspective by placing emphasis on transformation.\u003c\/p\u003e\n\u003cp data-start=\"1265\" data-end=\"1409\"\u003eWithin \u003cem data-start=\"1272\" data-end=\"1292\"\u003ePost-Colonial Gold\u003c\/em\u003e, value does not lie in what an object once was, but in how it is reshaped and understood within a different context.\u003c\/p\u003e\n\u003cp data-start=\"1411\" data-end=\"1498\"\u003eThe focus moves from origin to continuation, and from preservation to reinterpretation.\u003c\/p\u003e\n\u003chr data-start=\"1500\" data-end=\"1503\"\u003e\n\u003ch1 data-section-id=\"1on1dd2\" data-start=\"1505\" data-end=\"1544\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1507\" data-end=\"1544\"\u003eIN DIALOGUE WITH BEATRIZ GONZÁLEZ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1546\" data-end=\"1704\"\u003eThe work can be read in relation to the practice of Beatriz González, who demonstrates how images change meaning through repetition, circulation, and context.\u003c\/p\u003e\n\u003cp data-start=\"1706\" data-end=\"1822\"\u003eHer work makes clear that recognition is never neutral, but shaped by what has previously been seen and experienced.\u003c\/p\u003e\n\u003cp data-start=\"1824\" data-end=\"2006\"\u003eIn a similar way, this wearable sculpture operates through transformation. The material is no longer bound to a single origin, but continues to develop within a new form and context.\u003c\/p\u003e\n\u003chr data-start=\"2008\" data-end=\"2011\"\u003e\n\u003ch1 data-section-id=\"x9szbz\" data-start=\"2013\" data-end=\"2056\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2015\" data-end=\"2056\"\u003eWITHIN THE PROJECT POST-COLONIAL GOLD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2058\" data-end=\"2287\"\u003eEach wearable sculpture within the series is connected to a human value, such as memory, presence, dignity, identity, and knowledge, shifting away from material value and the traditional association of gold with power and status.\u003c\/p\u003e\n\u003cp data-start=\"2289\" data-end=\"2423\"\u003eIn this work, value does not lie in the material or in completeness, but in the capacity of the object to carry and transform meaning.\u003c\/p\u003e\n\u003cp data-start=\"2425\" data-end=\"2512\"\u003eAcross the series, value shifts from what an object is, to what it continues to become.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"5399\" data-end=\"5402\"\u003e\n\u003cp data-start=\"991\" data-end=\"1206\"\u003e\u003cstrong data-end=\"1221\" data-start=\"1203\"\u003eSpecifications\u003c\/strong\u003e\u003cbr data-end=\"1224\" data-start=\"1221\"\u003eMaterial: ceramic–concrete composite with gold-tone finish\u003cbr data-end=\"1285\" data-start=\"1282\"\u003eRing sizes: EU 16–19\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eWeight: approx. 18–24 grams \u003cbr data-end=\"1358\" data-start=\"1355\"\u003eFinish: hand-crafted; slight variations occur\u003cbr data-end=\"1406\" data-start=\"1403\"\u003eEach ring is unique.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1511\"\u003e\u003cstrong data-start=\"1208\" data-end=\"1225\"\u003eUse and Care:\u003c\/strong\u003e Avoid prolonged contact with water, perfume and chemical products. Store separately to prevent scratches. Clean gently with a soft, dry cloth. Surface wear may develop over time; this enhances the character of the work. This ring is a sculptural object and should be handled with care.\u003c\/p\u003e\n\u003cp data-start=\"1513\" data-end=\"1754\"\u003e\u003cstrong data-start=\"1513\" data-end=\"1526\"\u003eShipping:\u003c\/strong\u003e Carefully packaged in a protective box. Includes certificate of uniqueness. Insured shipping. Delivery time 3–7 business days if in stock. International shipping available. Tracking information will be provided once dispatched.\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cstrong data-start=\"1756\" data-end=\"1765\"\u003eTags:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e#PostColonialGold #WearableSculpture #ContemporaryArt #ArtAndValue #ConstructedDesire #JewelryAsConcept #CriticalDesign #Artivism #FeministArt #MaterialCulture #saralucas\u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61644845285706,"sku":"PCG-15","price":3800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/IMG-3361.jpg?v=1779098240"},{"product_id":"pcg-022-material-wisdom-in-dialogue-with-ranti-bam","title":"PCG-022 Material Wisdom-In Dialogue with Ranti Bam","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003eThis ring is made from ceramic and a fragment of an earlier work.\u003cbr data-start=\"115\" data-end=\"118\"\u003eRupture, repair, and visible connection remain part of its meaning.\u003cbr data-start=\"185\" data-end=\"188\" data-is-only-node=\"\"\u003eThe pink colour, loose pigment, and polished surface make the object vulnerable, bodily, and intimate.\u003cbr data-start=\"290\" data-end=\"293\"\u003eIn dialogue with Ranti Bam, the ring presents ceramic as a living material that carries and releases traces.\u003cbr data-start=\"401\" data-end=\"404\"\u003eWithin \u003cem data-start=\"411\" data-end=\"431\"\u003ePost-Colonial Gold\u003c\/em\u003e, it proposes a new value system in which vulnerability, repair, and material wisdom matter more than perfection or luxury.\n\u003cp data-start=\"558\" data-end=\"669\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"558\" data-end=\"669\" data-is-last-node=\"\"\u003eRead more about how this object finds value in rupture, pigment, touch, and the quiet strength of material.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2 data-section-id=\"bccpex\" data-start=\"153\" data-end=\"166\"\u003eTHE OBJECT\u003c\/h2\u003e\n\u003cp data-start=\"168\" data-end=\"387\"\u003eThis ring was made from ceramic and from a fragment of an earlier work. A part was separated, removed, and brought into a new form. From the beginning, the object carries a history of rupture, choice, and repositioning.\u003c\/p\u003e\n\u003cp data-start=\"389\" data-end=\"624\"\u003eThe missing edges have been repaired and adjusted, but not completely erased. The connection remains visible. It is precisely there that the tension of the object emerges: between damage and repair, between separation and reconnection.\u003c\/p\u003e\n\u003cp data-start=\"626\" data-end=\"848\"\u003eThe pink colour brings sensitivity into the image. It softens the roughness of the ceramic and refers to the small flower-like traces on the surface. The pink makes the ring more bodily, more vulnerable, and more intimate.\u003c\/p\u003e\n\u003cp data-start=\"850\" data-end=\"1089\"\u003eThrough repeated sanding and polishing, the form has become smooth and pleasant to touch. During this long process, a bond developed between maker and object. The ring was not only shaped; it was slowly approached, corrected, and softened.\u003c\/p\u003e\n\u003cp data-start=\"1091\" data-end=\"1208\"\u003eIn this way, a personal object has emerged: a ring that does not hide rupture, but carries it as part of its meaning.\u003c\/p\u003e\n\u003chr data-start=\"1210\" data-end=\"1213\"\u003e\n\u003ch2 data-section-id=\"weinav\" data-start=\"1215\" data-end=\"1229\"\u003eTHE VALUE\u003c\/h2\u003e\n\u003ch3 data-section-id=\"lpyug6\" data-start=\"1230\" data-end=\"1249\"\u003eMaterial Wisdom\u003c\/h3\u003e\n\u003cp data-start=\"1251\" data-end=\"1340\"\u003eThis ring is connected to the value \u003cstrong data-start=\"1287\" data-end=\"1306\"\u003eMaterial Wisdom\u003c\/strong\u003e: the wisdom held within material.\u003c\/p\u003e\n\u003cp data-start=\"1342\" data-end=\"1630\"\u003eMaterial is not a neutral carrier of form here. It participates, reacts, resists, and leaves traces. The ceramic carries the history of the earlier object from which the fragment came. The repaired edges show that material does not have to be made “new” again in order to become valuable.\u003c\/p\u003e\n\u003cp data-start=\"1632\" data-end=\"1984\"\u003eThe pigments also play an important role. The black and blue colours can rub off. This makes the object vulnerable, but also active. The ring does not remain completely closed within itself; it releases something. This transfer of pigment can be read as a quiet, material process of mourning: colour as residue, pigment as trace, touch as transmission.\u003c\/p\u003e\n\u003cp data-start=\"1986\" data-end=\"2314\"\u003e\u003cstrong data-start=\"1986\" data-end=\"2005\"\u003eMaterial Wisdom\u003c\/strong\u003e means that meaning does not arise only from the idea behind the work, but from what the material itself does. It breaks, changes colour, wears down, stains, adheres, and transforms. Precisely because of this, the object becomes more honest. It shows that value is not always smooth, perfect, or controllable.\u003c\/p\u003e\n\u003cp data-start=\"2316\" data-end=\"2510\"\u003eFor the wearer, this value becomes tangible. The ring reminds us that damage, wear, and change can also be part of meaning. What carries traces is not less valuable; it may in fact tell us more.\u003c\/p\u003e\n\u003chr data-start=\"2512\" data-end=\"2515\"\u003e\n\u003ch2 data-section-id=\"l2bv4m\" data-start=\"2517\" data-end=\"2546\"\u003e\u003ca href=\"https:\/\/anneliesnuy.com\/blogs\/news\/ranti-bam-how-do-we-hold-our-stories\"\u003eIN DIALOGUE WITH RANTI BAM\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2548\" data-end=\"2701\"\u003eThis ring stands in dialogue with \u003cstrong data-start=\"2582\" data-end=\"2595\"\u003eRanti Bam\u003c\/strong\u003e because her work shares a related sensitivity to clay as an active, bodily, and meaning-bearing material.\u003c\/p\u003e\n\u003cp data-start=\"2703\" data-end=\"3097\"\u003eIn Bam’s work, clay is not a passive raw material. Her ceramic forms emerge through touch, pressure, vulnerability, and proximity. The material is not only shaped by the artist; it also seems to act back on the body and on the making process. This attitude is important for this ring: here too, ceramic is not treated as a smooth final product, but as matter with its own behaviour and history.\u003c\/p\u003e\n\u003cp data-start=\"3099\" data-end=\"3415\"\u003eThe dialogue lies mainly in the treatment of material. In Bam’s work, clay acquires a living presence. In this ring, ceramic receives a second life through separation, repair, pigment, sanding, and wearing. The object shows that material is not silent. It preserves traces of action and can create new traces itself.\u003c\/p\u003e\n\u003cp data-start=\"3417\" data-end=\"3676\"\u003eThe ring is therefore not read as an imitation of Bam, but as a related thought on a smaller scale. What Bam investigates through image and form is translated here into a value that can be worn: attention to material as a carrier of loss, change, and meaning.\u003c\/p\u003e\n\u003chr data-start=\"3678\" data-end=\"3681\"\u003e\n\u003ch2 data-section-id=\"1m0diws\" data-start=\"3683\" data-end=\"3723\"\u003eWITHIN THE PROJECT POST-COLONIAL GOLD\u003c\/h2\u003e\n\u003cp data-start=\"3725\" data-end=\"3847\"\u003eWithin \u003cstrong data-start=\"3732\" data-end=\"3754\"\u003ePost-Colonial Gold\u003c\/strong\u003e, this ring gains meaning because it separates value from luxury, perfection, and possession.\u003c\/p\u003e\n\u003cp data-start=\"3849\" data-end=\"4105\"\u003eThe ring does not use polished beauty to show value. Instead, it shows fragment, rupture, repair, pigment, and touch. This connects to the core of \u003cstrong data-start=\"3996\" data-end=\"4018\"\u003ePost-Colonial Gold\u003c\/strong\u003e: gold and value are not understood as decoration or status, but as a new value system.\u003c\/p\u003e\n\u003cp data-start=\"4107\" data-end=\"4372\"\u003eIn this object, value lies in what was once damaged, separated, or incomplete. The fragment is not discarded, but taken up again. The visible connection makes clear that repair is not the same as erasure. The ring allows the history of its making to remain present.\u003c\/p\u003e\n\u003cp data-start=\"4374\" data-end=\"4705\"\u003eWithin the project, the ring also functions as a point of access. It brings art knowledge back to the body and into everyday life. In the digital space, it can be viewed freely; in the street, it becomes wearable. In this way, the value moves between the metaverse and reality, between public accessibility and personal experience.\u003c\/p\u003e\n\u003chr data-start=\"4707\" data-end=\"4710\"\u003e\n\u003ch2 data-section-id=\"rjurob\" data-start=\"4712\" data-end=\"4747\"\u003eRESONANCE WITH THE PRESENT WORLD\u003c\/h2\u003e\n\u003cp data-start=\"4749\" data-end=\"4873\"\u003eThis ring resonates with a time in which we are increasingly asked to handle material, history, and value with greater care.\u003c\/p\u003e\n\u003cp data-start=\"4875\" data-end=\"5180\"\u003eWe live in a culture in which objects are often produced, used, and replaced quickly. This ring does the opposite. It slows things down. It comes from an existing fragment, from repair, sanding, polishing, and attention. It asks for a way of looking in which damage is not immediately corrected or hidden.\u003c\/p\u003e\n\u003cp data-start=\"5182\" data-end=\"5471\"\u003eThe transfer of black and blue pigment is also important in this context. The object does not remain clean, neutral, or untouched. It leaves traces. This makes visible that wearing is always a relationship: between object and body, between maker and material, between loss and new meaning.\u003c\/p\u003e\n\u003cp data-start=\"5473\" data-end=\"5770\"\u003eThe ring therefore points to a form of art knowledge that does not have to remain inside a museum. It can be worn, shared, and read again. As an object in the public space, it becomes a subtle interface: an invitation, through image, material, and QR code, to access a value that emerges from art.\u003c\/p\u003e\n\u003cp data-start=\"5772\" data-end=\"5963\"\u003eIn a world that often strives for control and perfection, this ring shows something else: value can also lie in vulnerability, in traces, in what rubs off, in what cannot be fully controlled.\u003c\/p\u003e\n\u003cp data-start=\"5965\" data-end=\"6079\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis ring does not ask for perfect admiration, but for attention to what material can carry, lose, and mean again.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"5399\" data-end=\"5402\"\u003e\n\u003cp data-start=\"991\" data-end=\"1206\"\u003e\u003cstrong data-end=\"1221\" data-start=\"1203\"\u003eSpecifications\u003c\/strong\u003e\u003cbr data-end=\"1224\" data-start=\"1221\"\u003eMaterial: c\u003cbr data-end=\"1285\" data-start=\"1282\"\u003eRing sizes: EU 16–19\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eWeight: approx. 18–24 grams \u003cbr data-end=\"1358\" data-start=\"1355\"\u003eFinish: hand-crafted; slight variations occur\u003cbr data-end=\"1406\" data-start=\"1403\"\u003eEach ring is unique.\u003c\/p\u003e\n\u003cp data-start=\"1208\" data-end=\"1511\"\u003e\u003cstrong data-start=\"1208\" data-end=\"1225\"\u003eUse and Care:\u003c\/strong\u003e Avoid prolonged contact with water, perfume and chemical products. Store separately to prevent scratches. Clean gently with a soft, dry cloth. Surface wear may develop over time; this enhances the character of the work. This ring is a sculptural object and should be handled with care.\u003c\/p\u003e\n\u003cp data-start=\"1513\" data-end=\"1754\"\u003e\u003cstrong data-start=\"1513\" data-end=\"1526\"\u003eShipping:\u003c\/strong\u003e Carefully packaged in a protective box. Includes certificate of uniqueness. Insured shipping. Delivery time 3–7 business days if in stock. International shipping available. Tracking information will be provided once dispatched.\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cmeta charset=\"utf-8\"\u003eRantiBam #MaterialWisdom #PostColonialGold #CeramicRing #WearableSculpture #Clay #RuptureAndRepair #MaterialMemory #PigmentTraces #Vulnerability #Touch #Transformation #NewValueSystem #ContemporaryJewellery #ArtAndBody #Fragment #RepairAsMeaning #EmbodiedKnowledge #CeramicArt\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/Scherm_afbeelding_2026-05-16_om_12.55.32_PM.png?v=1778929007\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" height=\"351\" width=\"351\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/ChatGPT_Image_16_mei_2026_09_21_30.png?v=1778929078\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61845212725578,"sku":null,"price":3800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/Scherm_afbeelding2026-05-14om7.55.51AM.png?v=1778858634"},{"product_id":"pcg-024-in-dialogue-with-sung-tieu","title":"PCG-024 IN DIALOGUE WITH SUNG TIEU","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-end=\"72\" data-start=\"31\" data-section-id=\"nfon95\"\u003eValue: Silent Resistance \/ Stil verzet\u003c\/h2\u003e\n\u003ch2 data-end=\"87\" data-start=\"74\" data-section-id=\"bccpex\"\u003eTHE OBJECT\u003c\/h2\u003e\n\u003cp data-end=\"437\" data-start=\"89\"\u003eThis ring has the presence of a small architectural fragment. It does not feel decorative in the traditional sense; it feels built, marked and carried. The blue surface rises like a façade, a window, a screen or a piece of institutional architecture. Its vertical lines suggest cracks, divisions, registrations or traces left by pressure over time.\u003c\/p\u003e\n\u003cp data-end=\"786\" data-start=\"439\"\u003eThe material contrast is important. The intense blue of the lapis lazuli appears strong and almost monumental, yet the stone itself is relatively vulnerable. With a hardness of 5.5 on the Mohs scale, lapis lazuli can be scratched by harder materials. This tension between visual strength and material vulnerability gives the ring its inner charge.\u003c\/p\u003e\n\u003cp data-end=\"1095\" data-start=\"788\"\u003eThe silver-grey structure around the blue plane creates the feeling of a protective but damaged frame. It holds the stone, but it also looks worn, weathered and exposed. The small gold element does not dominate the object; it appears like a repair, a wound, or a brief signal of value within a harder field.\u003c\/p\u003e\n\u003cp data-end=\"1227\" data-start=\"1097\"\u003eThe ring is not open or soft. It is compact, vertical and resistant. It seems to hold something back. Its power lies in restraint.\u003c\/p\u003e\n\u003chr data-end=\"1232\" data-start=\"1229\"\u003e\n\u003ch2 data-end=\"1248\" data-start=\"1234\" data-section-id=\"weinav\"\u003eTHE VALUE\u003c\/h2\u003e\n\u003ch3 data-end=\"1270\" data-start=\"1249\" data-section-id=\"1dr7o30\"\u003eSilent Resistance\u003c\/h3\u003e\n\u003cp data-end=\"1330\" data-start=\"1272\"\u003eThis ring is connected to the value \u003cstrong data-end=\"1329\" data-start=\"1308\"\u003eSilent Resistance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-end=\"1552\" data-start=\"1332\"\u003eSilent Resistance is not loud protest. It is the refusal to disappear. It is the persistence of what remains present under pressure: a trace, a body, a memory, a structure, a history that was not meant to become central.\u003c\/p\u003e\n\u003cp data-end=\"1843\" data-start=\"1554\"\u003eIn this ring, resistance is carried by the surface. The blue plane is not smooth and untouched; it is marked by dark lines and divisions. The object suggests that pressure has passed through it, but has not erased it. Its strength is not based on invulnerability. It is based on endurance.\u003c\/p\u003e\n\u003cp data-end=\"2127\" data-start=\"1845\"\u003eThe lapis lazuli is crucial to this reading. It appears deep, hard and commanding, but it is not unbreakable. It can be scratched. It can carry damage. This makes the value more precise: Silent Resistance is not about being untouched. It is about remaining present even when marked.\u003c\/p\u003e\n\u003cp data-end=\"2315\" data-start=\"2129\"\u003eFor the wearer, this value becomes tangible. The ring does not simply decorate the hand; it carries a lesson about persistence. It reminds us that quiet endurance can be a form of power.\u003c\/p\u003e\n\u003chr data-end=\"2320\" data-start=\"2317\"\u003e\n\u003ch3 data-end=\"2351\" data-start=\"2322\" data-section-id=\"1hkypoa\"\u003e\u003ca href=\"https:\/\/anneliesnuy.com\/blogs\/news\/sung-tieu-silent-resistance\"\u003eIN DIALOGUE WITH SUNG TIEU (blog)\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2501\" data-start=\"2353\"\u003eThis ring stands in dialogue with \u003cstrong data-end=\"2400\" data-start=\"2387\"\u003eSung Tieu\u003c\/strong\u003e, whose work examines migration, bureaucracy, architecture, labour and the quiet violence of systems.\u003c\/p\u003e\n\u003cp data-end=\"2944\" data-start=\"2503\"\u003eFor the German Pavilion at the 2026 Venice Biennale, Tieu envelops the pavilion’s neoclassical façade in a trompe-l’oeil mosaic referring to the ruins of a socialist-era prefabricated apartment block on Gehrenseestraße in Berlin. This building was her childhood home and a housing complex for Vietnamese contract workers in East Germany, later inhabited by other migrant communities after reunification. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3515\" data-start=\"2946\"\u003eThis is where the dialogue with the ring becomes clear. Tieu does not approach resistance as spectacle. She works through architecture, surface, memory and systems of exclusion. By placing the image of a migrant housing block over the German Pavilion, she brings a marginalised history onto a national architectural symbol. The German Pavilion project \u003cstrong data-end=\"3306\" data-start=\"3298\"\u003eRUIN\u003c\/strong\u003e is described as a space where physical and social structures, German ideologies and lived biographies overlap, bringing architecture, history and psychology into tension. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"3806\" data-start=\"3517\"\u003eThe ring echoes that gesture on an intimate scale. Its blue plane becomes a kind of façade. Its lines become cracks, registrations or traces of pressure. Its reflective surface suggests that what we see is never only one layer. There is an official surface, and beneath it another history.\u003c\/p\u003e\n\u003cp data-end=\"4139\" data-start=\"3808\"\u003eTieu’s work makes visible how historical ruptures continue to resonate in the present, especially through architecture and social structures. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e This ring carries that same logic in miniature: a hard, marked surface that does not explain everything, but refuses to become silent in the wrong way.\u003c\/p\u003e\n\u003cp data-end=\"4308\" data-start=\"4141\"\u003eIt is not an illustration of Tieu’s work. It is a wearable translation of the value her work makes visible: the power of what remains, even when pushed to the margins.\u003c\/p\u003e\n\u003chr data-end=\"4313\" data-start=\"4310\"\u003e\n\u003ch2 data-end=\"4336\" data-start=\"4315\" data-section-id=\"1e6tp8s\"\u003eWITHIN THE PROJECT\u003c\/h2\u003e\n\u003cp data-end=\"4441\" data-start=\"4338\"\u003eWithin the wider project, this ring functions as a small interface between art, value and public space.\u003c\/p\u003e\n\u003cp data-end=\"4764\" data-start=\"4443\"\u003eThe aim is not to copy the visual language of the artist, but to translate what the artist makes visible into a value that can be carried. In this case, Sung Tieu’s work opens the value of \u003cstrong data-end=\"4653\" data-start=\"4632\"\u003eSilent Resistance\u003c\/strong\u003e: the persistence of histories, bodies and places that were ignored, displaced or absorbed into larger systems.\u003c\/p\u003e\n\u003cp data-end=\"5080\" data-start=\"4766\"\u003eAs a wearable object, the ring moves this value out of the museum and into daily life. It can be seen on the hand, in the street, in conversation, and through a QR code that gives access to the artistic and historical context behind it. The object becomes a physical point of entry into a wider field of knowledge.\u003c\/p\u003e\n\u003cp data-end=\"5210\" data-start=\"5082\"\u003eThe ring is therefore not only an object of display. It is a carrier. It makes a value visible without turning it into a slogan.\u003c\/p\u003e\n\u003chr data-end=\"5215\" data-start=\"5212\"\u003e\n\u003ch2 data-end=\"5252\" data-start=\"5217\" data-section-id=\"rjurob\"\u003eRESONANCE WITH THE PRESENT WORLD\u003c\/h2\u003e\n\u003cp data-end=\"5459\" data-start=\"5254\"\u003eThis ring resonates with a world in which many forms of violence are no longer immediately visible. They appear through housing, borders, administration, labour systems, migration policy and public memory.\u003c\/p\u003e\n\u003cp data-end=\"5822\" data-start=\"5461\"\u003eSung Tieu’s work is urgent because it shows how histories can be hidden inside buildings, documents and national narratives. Her Biennale contribution brings the history of Vietnamese contract workers and migrant life in post-reunification Germany into direct confrontation with the architecture of national representation. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"6104\" data-start=\"5824\"\u003eThe ring carries this resonance through its own image language. The blue stone appears monumental, but is vulnerable. The surface looks controlled, but is marked. The gold appears only as a small interruption, not as triumph. The object does not celebrate power; it holds tension.\u003c\/p\u003e\n\u003cp data-end=\"6317\" data-start=\"6106\"\u003eIn a time that often rewards loud visibility, this ring points to another form of strength: the strength of remaining present, of carrying marks, of refusing erasure without needing to perform resistance loudly.\u003c\/p\u003e\n\u003cp data-end=\"6447\" data-start=\"6319\"\u003e\u003cstrong data-end=\"6340\" data-start=\"6319\"\u003eSilent Resistance\u003c\/strong\u003e, here, is not silence as absence.\u003cbr data-end=\"6377\" data-start=\"6374\"\u003eIt is silence as pressure.\u003cbr data-end=\"6406\" data-start=\"6403\"\u003eSilence as memory.\u003cbr data-end=\"6427\" data-start=\"6424\"\u003eSilence as survival.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"5399\" data-end=\"5402\"\u003e\n\u003ch2 data-start=\"5404\" data-end=\"5419\"\u003eUSE \u0026amp; CARE\u003c\/h2\u003e\n\u003cul data-start=\"5420\" data-end=\"5653\"\u003e\n\u003cli data-start=\"5420\" data-end=\"5490\"\u003e\n\u003cp data-start=\"5422\" data-end=\"5490\"\u003eAvoid prolonged contact with water, perfume, and chemical products\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5491\" data-end=\"5532\"\u003e\n\u003cp data-start=\"5493\" data-end=\"5532\"\u003eStore separately to prevent scratches\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5533\" data-end=\"5572\"\u003e\n\u003cp data-start=\"5535\" data-end=\"5572\"\u003eClean gently with a soft, dry cloth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5573\" data-end=\"5653\"\u003e\n\u003cp data-start=\"5575\" data-end=\"5653\"\u003eSurface wear may develop over time — this enhances the character of the work\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"5655\" data-end=\"5706\"\u003eThis ring is a sculptural object. Handle with care.\u003c\/p\u003e\n\u003chr data-start=\"5708\" data-end=\"5711\"\u003e\n\u003ch2 data-start=\"5713\" data-end=\"5726\"\u003eSHIPPING\u003c\/h2\u003e\n\u003cul data-start=\"5727\" data-end=\"5975\"\u003e\n\u003cli data-start=\"5727\" data-end=\"5769\"\u003e\n\u003cp data-start=\"5729\" data-end=\"5769\"\u003eCarefully packaged in a protective box\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5770\" data-end=\"5808\"\u003e\n\u003cp data-start=\"5772\" data-end=\"5808\"\u003eIncludes certificate of uniqueness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5809\" data-end=\"5829\"\u003e\n\u003cp data-start=\"5811\" data-end=\"5829\"\u003eInsured shipping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5830\" data-end=\"5880\"\u003e\n\u003cp data-start=\"5832\" data-end=\"5880\"\u003eDelivery time: 3–7 business days (if in stock)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5881\" data-end=\"5917\"\u003e\n\u003cp data-start=\"5883\" data-end=\"5917\"\u003eInternational shipping available\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"5918\" data-end=\"5975\"\u003e\n\u003cp data-start=\"5920\" data-end=\"5975\"\u003eTracking information will be provided once dispatched\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"5977\" data-end=\"5980\"\u003e\n\u003ch2 data-start=\"5982\" data-end=\"6002\"\u003eTAGS \u003c\/h2\u003e\n\u003cp data-start=\"6003\" data-end=\"6142\"\u003e#WearableSculpture #PostColonialGold #SculpturalRing #ArtAsObject #GoldReconsidered #RepairAsMeaning #MonumentalMiniature #MaterialAsMemory\u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61876395966794,"sku":"PCG-024","price":1100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/ChatGPT_Image_21_mei_2026_12_37_29.png?v=1779359940"},{"product_id":"pcg-009-cyclical-time-in-dialogue-with-wangechi-mutu","title":"PCG-009  Cyclical Time IN DIALOGUE WITH WANGECHI MUTU","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-62\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-321\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"b528674a-385b-4bbf-83da-81b1abd45701\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:aa24e1bd-6e27-4a9e-ade6-10fd40d36c69-438\" data-testid=\"conversation-turn-230\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"6fe48e82-38a5-4e3c-a193-03715a5644dd\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003ch2 data-section-id=\"bccpex\" data-start=\"62\" data-end=\"75\"\u003eTHE OBJECT\u003c\/h2\u003e\n\u003cp data-section-id=\"bccpex\" data-start=\"62\" data-end=\"75\"\u003eThis ring is built around a rounded wooden form. It has the presence of a seed, a fruit, an eye, or a small planet resting on the hand. The polished surface reveals circular movement: rings, layers, traces of growth and time held inside the material.\u003c\/p\u003e\n\u003cp data-start=\"329\" data-end=\"633\"\u003eThe painted motif strengthens this sense of rhythm. It does not function as decoration only; it activates the surface. The circular pattern on top turns the wooden sphere into a centre, almost like a sun, a flower, or an origin point. The image seems to expand outward and return inward at the same time.\u003c\/p\u003e\n\u003cp data-start=\"635\" data-end=\"890\"\u003eThe contrast between the warm wooden ball, the pale repaired section and the darker ring band gives the object a sense of transition. It feels as if different states of matter and time have been brought together: growth, rupture, repair, touch and return.\u003c\/p\u003e\n\u003ch2 data-section-id=\"weinav\" data-start=\"892\" data-end=\"906\"\u003eTHE VALUE\u003c\/h2\u003e\n\u003cp data-start=\"907\" data-end=\"924\"\u003e\u003cstrong data-start=\"907\" data-end=\"924\"\u003eCyclical Time\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"926\" data-end=\"980\"\u003eThis ring is connected to the value \u003cstrong data-start=\"962\" data-end=\"979\"\u003eCyclical Time\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"982\" data-end=\"1231\"\u003eCyclical Time is a way of understanding time through return, growth, repetition, decay and regeneration. It is not the time of speed, productivity or linear progress. It is the time of seeds, seasons, bodies, rituals, wounds, healing and recurrence.\u003c\/p\u003e\n\u003cp data-start=\"1233\" data-end=\"1505\"\u003eThe wooden sphere is essential to this value. Wood already carries time within itself. Its rings record growth. Its surface holds traces of age, touch and transformation. The round form suggests that time does not simply move forward; it circles, returns and begins again.\u003c\/p\u003e\n\u003cp data-start=\"1507\" data-end=\"1741\"\u003eFor the wearer, this value becomes tangible. The ring reminds us that not everything has to move faster. Some things need to ripen. Some meanings return. Some forms of healing happen through repetition, patience and renewed attention.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1snkfg9\" data-start=\"1743\" data-end=\"1776\"\u003eIN DIALOGUE WITH WANGECHI MUTU\u003c\/h2\u003e\n\u003cp data-start=\"1778\" data-end=\"1930\"\u003eThis ring stands in dialogue with Wangechi Mutu, whose work repeatedly transforms bodies, landscapes, myths and materials into hybrid forms of becoming.\u003c\/p\u003e\n\u003cp data-start=\"1932\" data-end=\"2201\"\u003eMutu’s practice is not linear. Her figures often seem to emerge from several worlds at once: human, animal, vegetal, ancestral, futuristic and wounded. She does not present identity as fixed. She shows it as something that mutates, absorbs, breaks open and grows again.\u003c\/p\u003e\n\u003cp data-start=\"2203\" data-end=\"2475\"\u003eThis is where the dialogue with the ring becomes clear. The wooden sphere carries the memory of growth. The painted circular motif suggests origin, flower, sun, eye or seed. The object does not speak through a straight line, but through a centre that radiates and returns.\u003c\/p\u003e\n\u003cp data-start=\"2477\" data-end=\"2760\"\u003eMutu’s work for the 2026 Venice Biennale, \u003cem data-start=\"2519\" data-end=\"2551\"\u003eThe End, Where All began, EdEN\u003c\/em\u003e, makes this connection even stronger. The title itself turns the end into a beginning. Eden is not treated as a lost paradise, but as a place where origin, responsibility, earth, body and future are reopened.\u003c\/p\u003e\n\u003cp data-start=\"2762\" data-end=\"3033\"\u003eThe ring echoes that logic on an intimate scale. It becomes a small object of return: a form that holds growth, damage and renewal in one body. It is not an illustration of Mutu’s work, but a wearable translation of the value her work makes visible: time as regeneration.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1e6tp8s\" data-start=\"3035\" data-end=\"3056\"\u003eWITHIN THE PROJECT\u003c\/h2\u003e\n\u003cp data-start=\"3058\" data-end=\"3172\"\u003eWithin the wider project, this ring functions as an interface between artistic knowledge, value and everyday life.\u003c\/p\u003e\n\u003cp data-start=\"3174\" data-end=\"3473\"\u003eThe aim is not to copy the visual language of Wangechi Mutu, but to translate what her work opens into a value that can be carried. In this case, that value is \u003cstrong data-start=\"3334\" data-end=\"3351\"\u003eCyclical Time\u003c\/strong\u003e: the understanding that endings can contain beginnings, and that what is damaged or displaced can return in another form.\u003c\/p\u003e\n\u003cp data-start=\"3475\" data-end=\"3754\"\u003eAs a wearable object, the ring brings this value out of the museum and onto the body. It can be seen in public space, shared through a QR code, and connected to a digital layer of knowledge. The ring becomes a small point of access to a larger artistic and cultural conversation.\u003c\/p\u003e\n\u003cp data-start=\"3756\" data-end=\"3804\"\u003eIt does not explain the artist. It opens a door.\u003c\/p\u003e\n\u003ch2 data-section-id=\"rjurob\" data-start=\"3806\" data-end=\"3841\"\u003eRESONANCE WITH THE PRESENT WORLD\u003c\/h2\u003e\n\u003cp data-start=\"3843\" data-end=\"3937\"\u003eThis ring resonates with a time in which linear ideas of progress feel increasingly exhausted.\u003c\/p\u003e\n\u003cp data-start=\"3939\" data-end=\"4198\"\u003eWe live in a world driven by acceleration: faster production, faster images, faster consumption, faster forgetting. Against that speed, this ring offers another rhythm. Its wooden form, circular image and organic presence suggest slowness, return and renewal.\u003c\/p\u003e\n\u003cp data-start=\"4200\" data-end=\"4478\"\u003eWangechi Mutu’s work is urgent because it also asks us to rethink origin and future. Her bodies and landscapes do not move cleanly from past to present to future. They fold time together. They show that what has been broken, displaced or transformed can reappear with new force.\u003c\/p\u003e\n\u003cp data-start=\"4480\" data-end=\"4666\"\u003eThe ring carries this same thought quietly. It does not present time as a straight path. It presents time as something held in matter, carried by the body, and renewed through attention.\u003c\/p\u003e\n\u003cp data-start=\"4668\" data-end=\"4817\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"4668\" data-end=\"4726\"\u003eCyclical Time, here, is not repetition without change.\u003c\/strong\u003e\u003cbr data-start=\"4726\" data-end=\"4729\"\u003eIt is return with memory.\u003cbr data-start=\"4754\" data-end=\"4757\"\u003eGrowth after rupture.\u003cbr data-start=\"4778\" data-end=\"4781\"\u003eA beginning hidden inside an ending\u003c\/p\u003e\n\u003cp data-start=\"4668\" data-end=\"4817\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-end=\"1221\" data-start=\"1203\"\u003eSpecifications\u003c\/strong\u003e\u003cbr data-end=\"1224\" data-start=\"1221\"\u003eMaterial: c\u003cbr data-end=\"1285\" data-start=\"1282\"\u003eRing sizes: EU 16–19\u003cbr data-end=\"1308\" data-start=\"1305\"\u003eWeight: approx. 18–24 grams \u003cbr data-end=\"1358\" data-start=\"1355\"\u003eFinish: hand-crafted; slight variations occur\u003cbr data-end=\"1406\" data-start=\"1403\"\u003eEach ring is unique.\u003c\/p\u003e\n\u003cp data-start=\"4668\" data-end=\"4817\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1208\" data-end=\"1225\"\u003eUse and Care:\u003c\/strong\u003e Avoid prolonged contact with water, perfume and chemical products. Store separately to prevent scratches. Clean gently with a soft, dry cloth. Surface wear may develop over time; this enhances the character of the work. This ring is a sculptural object and should be handled with care.\u003c\/p\u003e\n\u003cp data-start=\"4668\" data-end=\"4817\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1513\" data-end=\"1526\"\u003eShipping:\u003c\/strong\u003e Carefully packaged in a protective box. Includes certificate of uniqueness. Insured shipping. Delivery time 3–7 business days if in stock. International shipping available. Tracking information will be provided once dispatched.\u003c\/p\u003e\n\u003cp data-start=\"4668\" data-end=\"4817\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e#WangechiMutu #KenyanArtist #KenyaToVenice #VeniceBiennale2026 #BiennaleArte2026 #InMinorKeys #KoyoKouoh #LaBiennaleDiVenezia #TheEndWhereAllBeganEdEN #CyclicalTime #Ecofeminism #AfricanDiaspora #AfricanFeministArt #ContemporaryAfricanArt #WomenInArt #ArtivismeFeminin\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1756\" data-end=\"1905\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Annelies Nuy","offers":[{"title":"Default Title","offer_id":61894246957386,"sku":"PCG-009","price":1800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/files\/WhatsApp_Image_2026-05-18_at_4.51.54_PM.jpg?v=1779440508"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0135\/7080\/1764\/collections\/WhatsAppImage2026-04-06at7.41.22AM.jpg?v=1776370543","url":"https:\/\/anneliesnuy.com\/collections\/pcg-collection.oembed","provider":"Annelies Nuy","version":"1.0","type":"link"}